Equally at home producing records and directing or composing scores for film, Randall Dunn traverses realms between genre and medium, guided by Buddhist and Jungian principles of creativity. Hailed as “the underground metal superstar producer” for his early work with legendary musical acts such as Sunn O))), Earth, Boris, and Master Musicians of Bukakke, Dunn is a critically acclaimed and award-winning audio engineer, composer, and multi-instrumentalist. Pitchfork has described him as a “go-to producer for metal but also for indie acts looking to add more edge and atmosphere.”

In the decades since, Dunn’s productions have received near-universal critical acclaim, marked by a “strategically articulated, disciplined musicality without sacrificing [the artist’s] core sound or blunting their emotional impact,” as reported by AllMusic. Among these critically lauded records are Marissa Nadler’s Strangers, Anna Von Hausswolf’s Dead Magic, SQÜRL’s (Jim Jarmusch) Silver Haze, Algiers’ There Is No Year, Myrkur’s Mareridt, and Zola Jesus’ Arkhon. Known for his aptitude for cohering complex or heavy material with dynamic and performance-focused recording, he is sought after by major composers and artists such as Danny Elfman, Björk, and Thurston Moore.

Dunn has worked with filmmakers Guillermo Del Toro, Julio Torres, Harmony Korine, Panos Cosmatos, Benny Safdie, Nathan Fielder, and Emma Stone. His production and co-composition of Jóhann Jóhannsson’s score for Cosmatos’ 2018 film Mandy won multiple awards and nominations from the Austin Film Critics Association, Fangoria Chainsaw Awards, the Seattle Film Critics Society, the Chicago Film Critics Association, and the Hollywood Music in Media Awards. Dunn’s production of Robert Aiki Aubrey Lowe’s score to Candyman made the shortlist for the 2022 Academy Awards in the category of “Best Original Score.” Dunn produced Daniel Lopatin’s score for “The Viewing,” Panos Cosmatos’ episode of Guillermo Del Toro’s television series, Cabinet of Curiosities, which premiered on Netflix in 2022. This partnership with Lopatin continued with the 2023 production of John Medeski’s score for Showtime series, The Curse, co-created by Nathan Fielder and Benny Safdie. In 2023, A24 premiered Julio Torres’ debut film Problemista, produced by Emma Stone and starring Tilda Swinton, featuring a Dunn-produced score by Lia Ouyan Rusli. In 2024 Dunn mixed The Score for The Smashing Machine directed by Benny Safdie.

@randallbdunn

NYC native Ben Greenberg is a producer, engineer, mixer, and musician with deep roots in underground music — a founding member of Industrial stalwarts Uniform who has also played with Dan Boeckner (Wolf Parade), Couch Slut, Dazzling Killmen, Miasmatic Necrosis, Stephen Tanner (Harvey Milk), The Men, Zs, Hubble, and many many others. His recording, mixing, and production credits span the stylistic gamut: Danny Elfman, Depeche Mode, Chat Pile, Drab Majesty, Nels Cline, Wicca Phase Springs Eternal, Show Me The Body, Junglepussy, Marc Ribot, Drew McDowall, Black Marble, and Christeene to name a few. He has engineered and mixed scores for Brian McComber (It Comes At Night, Krisha, Kingdom of Silence, 16 Shots, Little Woods, Mickey and The Bear, and Fair Play), Jóhann Jóhannsson (Mandy), Lea Ohyung (Problemista), Ella Van Der Woude (Something You Said Last Night, Silver Haze), and many others. In 2024 he won the Cinema Audio Society award for Outstanding Achievement in Sound Mixing — Documentary, for his stereo and surround mixes of JD Samson's score for Sam Green's 32 Sounds.

@greenbergaudio

Arjan Miranda is a songwriter, composer, producer, and music editor (IATSE 700) based in Brooklyn, NY. He grew up touring the world in bands. He is fanatical about music and has a deep record collection built from a lifelong pursuit of digging, listening, and researching. He specializes in anything strange and heavy — freak folk, nostalgic cult phenomenons, lost VHS horror soundtracks, new age synth madness, 80s punk, and proto heavy metal. Recent projects include the score for How to Feed a Dictator, premiering at Tribeca 2026, contributing music to John Lilly and the Earth Coincidence Control Office, and music editing on Marty Supreme and The Smashing Machine. Full IMDb here.

@arjanmiranda